The Avery Review

The Editors —

The Avery Review Essay Prize 2021

Submissions due January 30, 2021.

Please email submissions to editors@averyreview.com with the subject line “Essay Prize.” Please also confirm your eligibility by including your student status and graduation date (actual or anticipated).


The Avery Review, a journal of critical essays on architecture published by the Office of Publications at Columbia University’s Graduate School of Architecture, Planning, and Preservation, invites submissions for its fourth annual Essay Prize. The call is open to current students (undergraduate and masters) and recent graduates, whether in schools of architecture or elsewhere (eligibility details below). In keeping with the mission of the journal, we hope to receive submissions that use the genres of the review and the critical essay to explore the urgent questions animating the field of architecture. We’re looking for essays that test and expand the author’s own intellectual commitments—theoretical, architectural, and political—through the work of others.


We plan to award one first-place prize ($4,000) and three second-place prizes ($2,000). The winning essays will be published in our April 2021 issue.


We encourage you to (re)visit and (re)read the prize winning essays of years past in issues 46, 39, and 31!

In 2020, Athena Do parsed the design guidelines of the Development Handbook for the Tahoe Reno Industrial Center; Sameeah Ahmed-Arai refracted the Sipopo Congress Center in New Guinea, and the development discourse that structures it, through an anti-“anti-politics” lens; James Andrew Billingsley composed an alternative portrait of Greenland that is layered, complex, diverse, and rogue; and Romy Kießling considered whether private property rights might be a way of addressing climate change accountability.


In 2019, Oskar Johanson journeyed to Gorda Cay to expose the counterfeit histories of Walt Disney imagineering; Marcell Hajdu rendered the demand for spectacular imagery by Hungary’s current “illiberal” regime; Alex Tell touched down on various moments that elucidate the problems and possibilities of “air rights”; and Zoë Toledo eroded the disguise of the Indian New Deal on Navajo territory in the 1930s.


In 2018, Tizziana Baldenebro confronted the undervaluation of critical black female art and the Museum of Contemporary Art Chicago’s inclusionary curatorial practices; Elsa MH Mäki investigated the violent intersection of resource extraction, land ownership, and tribal sovereignty in the “man camp”; Kahira Ngige speculated on the megachurch and the urban implications of ecclesiastical architecture in Nairobi; and Sajdeep Soomal situated family history within the colonial orders of Ontario and the Punjab.

Submissions

Submissions for the Avery Review Essay Prize should take the form of critical essays on books, buildings, and other architectural media, broadly defined. We’re delighted to receive work that was developed in the context of classes and seminars as well as independent writing. We like stylish, concise, accessible, and earnestly felt writing.


Our essays are typically 2,500–3,500 words in length and have some object of review at their core. Texts should be submitted as double-spaced Word files without images; you may provide six to eight images compiled into a separate PDF (keep attachments to 3mb max please).

Eligibility

Current undergraduates, current masters-level students, and recent graduates (graduation date after 12/1/2019) from any undergraduate or master’s program at any university are eligible. We encourage submissions from any field of study that takes architecture as a subject. Please include your student status and graduation date (actual or anticipated) in your submission email.


If you will be a student in the 2021–2022 academic year, please be aware that in accordance with university and federal policy, prizes and awards are taxable and are reported for inclusion in student financial aid.

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